In the rooms
Soultone on every kit
Your cymbals go on the kits in our rehearsal and live rooms, where working drummers play and record every day. Every session is a demo; every recording is your sound in somebody's record.
In 2003, Soultone started on the floor of The Drum Connection: cymbals set up on acoustic kits so players could actually hit them, selling faster than Iki could make them. The Recording Club runs on the same belief: gear belongs in rooms, in sessions, in hands. Platinum puts Soultone inside the building, and the four doors below are already built and live. Click anything.
What worked at The Drum Connection works here: cymbals under sticks, not on hooks. Four things Platinum builds for Soultone, all included in the membership.
Your cymbals go on the kits in our rehearsal and live rooms, where working drummers play and record every day. Every session is a demo; every recording is your sound in somebody's record.
Your cymbals get featured on the kits, and we print a Soultone look book to live in the building. When a player finishes a session and asks about the ride they just hit, staff hand them the book and send them to you.
Players register their cymbals by serial, artists carry verified badges, drops and events land in one feed. The full screen-by-screen vision is live in the app board. We shipped the same app for Darryl Jones's bass owners, so yours is a build, not a promise.
A Google Maps pin at the club's address, your endorsers hosted for sessions in our rooms, artist content shot on the 5-camera stage. Soultone works out of the club like it's your office.
The list is not fixed. Platinum means the club's design and engineering team works for Soultone. Sites and apps are designed and built at no cost, then maintained at $70 an hour, half our public rate. You hold every cymbal to 120%. Tell us what you need and we hold the build to the same.
This is what Platinum's build team sees for Soultone's web presence, built as a working concept: 43 pages, every series, every artist, live right now. Click anything below and walk through it.
All 21 series, 2,601 artists with live search, 88 dealers, videos, story, rebuilt around Soultone's own gold and crown.
soultonecymbals.gregspero.com →
Mark, color, type, photography, voice: a system any printer, embroiderer, or agency can apply.
Read the brand book →
Serial-scan warranty registry, a listen-first sound library, shoppable artist rigs: four demo screens and the reasoning.
See the app vision →
Darryl Jones, bassist for the Rolling Stones, joined Platinum. The club rebuilt his company's website, shipped an iPhone app for the players who own his basses, and designed the wall where his basses will sell in the building. All of it included in his membership. Read the full case study.
Twelve pages, every bass with real specs, a custom-shop configurator.
jones.gregspero.com →
JMI Backstage: owners register basses by serial and ask Darryl questions directly. Approved by Apple, in owners' hands today.
See the case study →
His basses with brass plaques, played by members in the room, featured in the building.
See the case study →
Everything above sits on top of the core of Platinum: the best rooms in the building, whenever you want them. See them all at therecording.club/studios.
Tuned control rooms for mixing and post, engineer on call.
See the studios →
Full backline, kits ready to play, where your cymbals would live.
See the studios →
LED wall, five cameras, built for artist content and live capture.
See the stage →Walk the building with us. We'll set Soultones up on a kit in the rehearsal room, hear how the company runs, and sketch your build before you leave.